S. Jayan

Nayan Tara|
2014
Nayan Tara
2014 | 99 min
Nayan Tara is a film that spreads the noble message of eye donation. Brajanath is a retired man who lives with his widowed daughter and granddaughter Aankhi. Aankhi is a brilliant student but her world comes crashing down when she becomes blind. Eye transplantation is the only way in which she can regain her eyesight. Aankhi's loss of eyesight shatters the world of her widowed mother. Brajanath silently suffers to see them in pain. Shamik Banerjee, Aankhi's eye specialist who also loves her promises Brajanath that he'll help Aankhi regain her eyesight. Brajanath dies of heart attack. He had donated his eyes and coincidentally his eyes are grafted on Aankhi's eyes and she gets back her eyesight.
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Hirak Jayanti|
1990
Hirak Jayanti
1990 | 132 min
Ajay is a teacher in a village. One day his rich younger brother Bijoy comes to his house with his daughter Jayanti. But she faces an unpleasant situation at the point of entering into the village and quarrels with a honest, hardworking young man Hiru. But With the help of doctor uncle they began to meet each other on a daily basis. One day Hiru save the life of Bijoy. Then Jaya falls in love with Hiru. Two hearts now became one. But Jaya s father does not like it because Hiru is not very educated. Then Jaya came to know that Hiru left his education unfinished due to some anger. An old man called Paran educated his son at the expenses of his comfort, but that person then goes to the city and does not look after Paran. So Hiru became very upset and leaves his career. Jaya now respects Hiru much more after knowing this fact from doctor uncle. But a rich man Chandan also loves Jaya and conspires against Hiru. One day Jaya invites Hiru but bijoy does not like that invitation. Then Chandan kidnapped Jaya and flees. He forced her to marry him. But Bijoy does not interpret the whole situation and accused Hiru for the kidnapping. But Hiru left that place and finds out Chandan and rescues Jaya. At last Bijoy came to the whole incident.
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Rajat Jayanti|
1939
Rajat Jayanti
1939 | 130 min
Rajat is a simple man who falls in love with Jayanti but doesn t know how to tell her. At the same time, he tries to get his uptight guardian Bagalcharan to cough up some money so he and his friends could make an art film. Will he succeed in both his endeavours?
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Jayam Kondaan|
2008
Jayam Kondaan
2008 | 144 min
Arjun (Vinay) is an IT professional who was in London for years, and has now come down to Chennai to set up his own business. He has a wide friends circle like Krishna (Krishna), Gopal (Vivek) and their wives, who make merry. Arjun's philosophy in life is to be always cool and never lose one's temper under any circumstances. He feels if one has to reach his goal in life it is better to win over your enemies and take them along. However Arjun is shocked when he finds that his late father had another family, and his half sister Brinda (Lekha Washington) is now trying to sell his family house in Madurai. She needs the money to go to US, as she has got a scholarship at MIT! They lock horns over the property and land up in Madurai, where a red chilly dealer Durai Raj (Nizhalgal Ravi) is staying in their house with his daughter Annapoorni aka Molaka (Bhavana). Arjun pretends that Poorni is his childhood sweetheart, wins her over and manages to get her vacated from the premise. There is a rowdy Guna (Kishore) who is a terror in Madurai and Arjun gets entangled with him that leads to an accident in which his wife Poonkodi (Vasundhara) gets killed. Now Guna is baying for revenge as he follows Arjun to Chennai. The rest of the film is how Arjun tries to take the responsibilities as a big brother and wins over Brinda and deals with Guna, who is determined to kill him.
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Jayam Manadera|
2000

Jayasimha|
1987
Jayasimha
1987 | 141 min
Jayasimha is a 1987 Indian Kannada film, directed by P. Vasu and produced by K C N Chandrashekhar and K C N Mohan. The film stars Vishnuvardhan, Mahalakshmi, Vajramuni and N S Rao in lead roles. Music of the film was composed by Vijay Anand.
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