Guru Bagachi

Sadhak Kamalakanta|
1961
Sadhak Kamalakanta
1961 | 137 min
Sadhak Kamalakanta is a 1961 Indian Bengali film, directed by Apurba Mitra and produced by Sunil Dutta. The film stars Gurudas Bannerjee, Chhaya Devi, Bani, Tulsi Chakraborty, Bipin Gupta, Nitish Mukherjee, Adhir Bagchi in lead roles. The film has musical score by Anil Bagchi.
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Subtitles:English
Chirantan|
1979
Chirantan
1979 | 100 min
Chirantan is a 1979 Indian Bengali film, directed by Gurudas Bagchi and Produced by Angel Digital Private Limited and R.M. Productions. The film stars Anup Kumar, Sumitra Mukherjee, Vasant Choudhury and Rabi Ghosh in lead roles. The music of the film was composed by Santosh Mukherjee.
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Samarpita|
1984

Tusi|
1978
Tusi
1978 | 102 min
Tusi is a 1978 Indian Bengali film, directed by Guru Bagchi and produced by Ranjit Mitra. The film stars Anil Chatterjee, Dilip Roy, Anup Kumar, Santu Mukhopadhyay, Gyanesh Mukherjee, Niranjan Ray, Sisir Mitra, Premangshu Bose, Ananda Mukherjee, Samar Kumar, Biplab Chatterjee and Subrata Chatterjee in lead roles. The film has musical score by Ajoy Das.
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Dui Purush|
1978
Dui Purush
1978 | 124 min
Kankana was a village in Bengal where Nutu lived. He was a freedom fighter and loved a girl Kalyani. When he was in jail, Kalyani got married to someone else. When Nutu was released from jail, he came to know everything and later married to a simple village girl Bimala. Later he joined as a teacher in a small village school. The zamindar Mukherjee of Kangana was very clever, he tried to take all the land from poor farmers, and as a result, he did the same with Mahabharat. Nutu revolted against the zamindars and sue them. He took his law gown and helped Mahabharat to win the case. As a result Nutu became famous and within few years and won the election. Power helped him become more corrupted, but his elder son and wife Bimala fought against him and worked hard. At last, Nutu understood his fault and came to his old values.
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Sadhak Bamakhyapa|
1958
Sadhak Bamakhyapa
1958 | 114 min
Sadhak Bamakhyapa is a 1958 Indian Bengali film, directed by Narayan Ghosh. The film stars Gurudas Banerjee, Molina Debi, Chhabi Biswas, Nitish Mukherjee, Kanu Bhattacharya, Padma Debi, Tulsi Chakraborty, Menoka Debi, Nripati Chatterjee, Haridhan Mukherjee, and Mihir Bhattacharya in lead roles. The film has musical score by Anil Bagchi.
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Mahapith Tarapith|
1989
Mahapith Tarapith
1989 | 116 min
Sameer Roy was not only an eminent lawyer but also a devotee of Goddess Tara. Once he met Ajay a police officer on the way to Tarapith. Sameer shared some of his experiences with Tara Ma. Ajay ignored all of his stories. Ajay had a handicapped child. His wife forcefully took him and his child to Tarapith. All of them visited Tarapith burning ghat and other places. At last, a holy man helped Shankar and astonishingly he became completely fit. Later another man told them the story behind the origin of Tarapith temple. Joydutta a businessperson and his child Bijoy both of them helped to establish the temple. How and when Tara ma came to help them and the way Bijoy got back his life really made them spellbound. Everyone enchanted with the story. At last, Ajay also became devoted to Tara ma and everything ended with a happy tune.
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Pennam Kolkata|
1992
Pennam Kolkata
1992 | 150 min
Pennam Kolkata is a story of Gobar and Padma who come to Kolkata from the village of Bunojhalta in search of Gobar's elder brother. The big and beautiful city seems attractive in the beginning but slowly they are exposed to the corruption and evil side of the city.It disillusions them and they decide to go back to their village. But Gobar meets his elder brother John whose teacher inspires them to stay back and fight for the just and right.
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Bindur Chheley|
1973
Bindur Chheley
1973 | 109 min
Bindubasini was an upper middle class rural Bengali lady and was the only child of her parents. So she was brought up with lots of love and affection. Tarak, a middle class educated person selected Bindubasini as his brother s wife. His brother Madhav was a brilliant student and scholar. The relation between Madhav and Tarak was a close one. Madhav respects his elder brother and tries to follow his footsteps. But sometime Bindubasini misunderstood it due to her over passionate psychological structure. Slowly she began to look after Amulya. Amulya began to call her mother. Suddenly Amulya became the world of Bindubasini. All the love and affection of Bindubasini was reserved only for Amulya and he also reciprocated by following her every instruction. At this point of time A cousin sister of Tarak and Madhav came to their residence and started to interfere in their daily life. But their child was a spoiled one. So a rare conflict of perspectives was introduced in the family and they go through some collisions and disputes. It s a fantastic example of emotional twists and turns in Bengali middle class families.
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