Movies results for "n-s-rao"

Rathiri Nerathu Poojayil|
1997

Thare|
2011

Nee Prema Kosam|
1994

Boeing Boeing|
1985
Boeing Boeing
1985 | 150 min
Boeing Boeing is a 1985 Indian Malayalam film, directed by Priyadarshan and Produced by Evershine Productions. The film stars Mohanlal, Menaka, Lissy, Madhuri, Ashwini, Mukesh and Jagathy in lead roles. The music of the film was composed by Reghu Kumar.
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Shishira|
2011

Love 94|
1994

Gharshane|
1984

Aagatha|
1994

Pornomochi|
2018
Pornomochi
2018 | 115 min
A teenaged boy stumbled upon pornography and soon becomes addicted to watching them. While struggling to differentiate between the real world and fantasy, the young boy finds out shocking details about his parents. Will he be able to deal with his crisis and his addiction to pornography?
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Subtitles:English, Arabic
Anta Fazila|
2018
Anta Fazila
2018 | 121 min
This horror drama traces the tragic story of a young couple who fall in love but are threatened by the presence of a ghost in their lives. Will they be able to overcome this paranormal obstacle? Will their love win? The movie stars Bhavesh Koriya, Kavya Chauhan and Sajid Hussain in prominent roles.
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Arakkallan Mukkalkkallan|
1974

Ladki Bholi Bhali|
1976
Ladki Bholi Bhali
1976 | 124 min
Ladki Bholi Bhali is a 1976 Indian Hindi film, directed by Ashok Roy and Produced by Swaran Kanta Anand. The film stars Gautam Sarin, Asha Sachdev, Hina Kausar, Tarun Ghosh, Dheeraj Kumar and Bharat Bhushan in lead roles. The film had musical score Usha Khanna.
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Krishna Guruvayoorappa|
1984

Sanyasi|
1975
Sanyasi
1975 | 148 min
After losing her husband unexpectedly who was in all sorts of vices, Renuka decides to bring up her son Ram in the most religious way possible to give him a different life. This lands him to become a sanyasi post and Renuka finds it difficult to get him married to Aarti. To top it all off everyone seems to be out to swindle her for their own selfish interests!
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Be-Shaque|
1981
Be-Shaque
1981 | 121 min
Shyam Sunder lives a wealthy lifestyle in a small village in India along with his widowed step mother, Nirmala. He has taken to alcohol, womanizing & goes away very often without informing anyone. He frequently asks Nirmala for money. One day a villager Lucky informs Nirmala that he has seen Shyam's dead body. She arrives with other villagers but finds the dead carcass of a bear. Lucky informs the police. Nirmala is in a secret relationship with Mishra. Subsequently, a young man named Prakash arrives there & meets with Nirmala. He tells her that he is Shyam's friend and an author by profession. He is given a village tour by Nirmala's servant Gangu who later informs of villagers' whereabouts. She permits him to live in her spacious house but subsequently asks him to move to the guest house as told by Mishra. Prakash meets and falls in love with Roopa who lives a middle-class lifestyle with her widowed mother Radha, servant Gopal. Prakash overpowers goons sent by Mishra. Shyam had made villager Gauri pregnant who committed suicide as he did not marry her. Prakash informs Nirmala that he is doing business with Shyam & they were to get Rs 10 lakhs. Prakash denies her receiving Shyam's share & business' details. Shyam before his absence had a quarrel with Nirmala for money & threatened to expose her relationship with Mishra. Soon Roopa also falls in love with Prakash. Prakash comes across a framed photograph of Roopa with a young man & a child in her arms in Gopal's house. Then Prakash is told about an abandoned house that has a ghastly secret. Roopa introduces him to her mom, who approves of him. He tells that he is the son of Lucknow-based Tehsildar Somshekhar. Prakash finds a body but is hit on the head. He finds the body gone on waking. Rest needs to be seen.
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Barsaat Ki Raat|
1960
Barsaat Ki Raat
1960 | 142 min
The story features a number of innovative themes while maintaining the basic form of a love story. It has particularly strong female characters who are independent-minded and choose their own loves and destiny. Conflicts are not so much between the wishes of the parents and children about whom the children will marry, as is a common theme in Indian movies, but on the more complex level of conflicts among the main characters and the duplicitous signals men and women send each other. The movie glorifies the lives of "singing girls" not often regarded highly in Indian society. Although it is set with Muslim characters, the movie seamlessly shows the universality of sensual love.
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Premada Vayasu|
1997

