Movies results for "ram-mohan-rao"

Anokhi Ada|
1948
Anokhi Ada
1948 | 129 min
Surendra is a rich man's son who leaves his father's home to live as a vagabond. He encounters the heroine who is very poor and has nothing to eat. He gives her some rotis. Police mistake him for a thief, brings him to the police station where he is bailed out by his father's Munshi. Meanwhile the heroine's brother comes under a car and dies. She being bankrupt, leaves the house. They meet again in a train and fall in love. But the train falls off the track and suffers an accident. The heroine loses her memory and in a lost state of mind walks out of the hospital into a professor's house nearby. He takes pity on her and allows her to live in his house. He begins liking her and knows of her from the doctor who attended her in the hospital. They plan to get married but Surendra who is a former student of professor finds her and appeals to the professor to let her go and let them marry. The professor agrees but the heroine still doesn't remember him. In the end her memory comes back and they get married.
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Nee Thanda Kanike|
1985

Pakka Kalla|
1979
Pakka Kalla
1979 | 132 min
Pakka Kalla is a 1979 Indian Kannada film, directed by Y. R. Swamy and produced by C V L Shastry and Y R Ashwathnarayana Rao. The film stars Srinath, Manjula, Ambarish, and Vajramuni in lead roles. The film has musical score by Chellapilla Satyam.
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Aan|
1952
Aan
1952 | 161 min
Jai Tilak belongs to a Rajput clan loyal to the kind and just king. However, the Maharaja's wicked son Shamsher Singh usurps the throne by killing the king. Jai meanwhile clashes with the haughty princess Rajshree, sister of Shamsher Singh as he tames her wild stallion. Falling in love with her, he resolves to tame her as well. Mangala, a fellow clanswoman, too, loves Jai. Shamsher kidnaps her and tries to rape her causing her to fall to her death. In retaliation Jai kidnaps Rajshree. Eventually, Rajshree falls in love with Jai. It also turns out that the king is alive after all. Jai, a now reformed Rajshree and the loyal clansmen help defeat Shamsher and restore the king to the throne.
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Elan|
1947
Elan
1947 | 124 min
After the passing away of his dad, Javed lives a poor lifestyle with his widowed mom in India. Since they cannot afford to live independently, they live with his mom's younger sister, Mrs. Haque, who lives a wealthy lifestyle with her husband and son, Sajjad. Mrs. Haque is very cruel toward her sister, compelling her to leave and bring Javed up on her own. Years later Javed has grown up, has acquired a sound education, returns home, to find that his mom is learning to read and write with the help of a beautiful young woman, Nazparvar, and soon both the youngsters fall in love with each other. Javed's mom approaches Nazparvar's dad to get them married, but at the same time her sister, who is now widowed, convinces Nazparvar's dad that Sajjad would be a better choice for his daughter, as a result the marriage takes place leaving both Javed and Nazparvar heartbroken, and they go separate ways. Years later they will meet again - this time Javed will be a lawyer - while Nazparvar, who is now a mother of a young son, Riaz, will be accused of killing her husband!
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Jaaribidda Jaana|
1980

Gandhari|
1993

Kaliyuga Kannan|
1974

Leader Vishwanath|
1981
Leader Vishwanath
1981 | 106 min
Leader Vishwanath is a 1981 Indian Kannada film, directed by Mani Murugan. The film stars Ambarish, Jayanthi, K S Ashwath, Leelavathi, Musuri Krishnamurthy, Dheerendra Gopal and Mysore Lokesh in lead roles. Music of the film was composed by Vijaya Bhaskar.
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Snehitara Savaal|
1981

Thayi Kanasu|
1985
Thayi Kanasu
1985 | 151 min
Ramu and Murthy are best friends, Ramu and Sita fall in love and they get married. Jawarayya tries to create troubles for the couple as he wanted to marry his daughter to Ramu for his property. Will their marriage and Ramu's friendship stand the test of time?
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Rustum Jodi|
1980

Miss Leelavathi|
1965
Miss Leelavathi
1965 | 162 min
This socially relevant movie explores the darkness of female sexuality on the screen. The lead protagonist Leelavathi (Jayanthi) is shown as a bold girl to a doting father (K. S. Ashwath) who is completely outright in wearing revealing attires and expressing her views about the pre-marital sexual acts. She also comes under many experimental circumstances in her life which makes the rest of the world highly critical about her. She is shown to finally succumb to the moral trappings of the time and her father is also ridiculed for being bringing her up more liberally.
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Maha Tapasvi|
1977





