Pinaki Sengupta

Rupantar|
1991
Rupantar
1991 | 81 min
Rupantar is a 1991 Indian Bengali film, directed by Debashis Saha. The film stars Sisir Deb, Ranjita Dey, Kumar Pinaki, Badhon Das, Rana, Pallav Acharya, Narendra Nath Sanyal, Rekha Ray, Kumari Kankana, Dipti Chowdhury in lead roles. The music of the film was composed by Hiralal Sengupta.
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Aparajito|
1956
Aparajito
1956 | 93 min
Harihar with wife, Sarbajaya and 10-year-old son, Apu has moved to the holy city of Benaras. Harihar earns a meager by reciting religious scriptures. Tragedy strikes when Harihar falls ill with fever and collapses at the riverbank and dies soon after. The mother Sarbajaya decides to relocate to her uncle s village where Apu resumes his education at the local school. Apu, now sixteen wins a scholarship and departs for Calcutta, leaving his mother alone. It breaks Sarbajaya s heart, but she relents. Engulfed in city life-studying during the day and working in a printing press at night. Apu grows away from his mother. His visits get shorter as time passes. This emotional distance unnoticed by the growing Apu hurts Sarbajaya deeply. On a night sparkling with dancing fireflies, Sarbajaya dies. Apu comes back to an empty house. He grieves for his mother but soon finds the strength to leave the village for the last time, to carry on with his new life in the city.
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Jalsaghar|
1958
Jalsaghar
1958 | 90 min
1930's, Bengal. Biswambhar Roy is the last in a long line of rich patriarchs. He continues to cling to his refined tastes even as his estate is diminishing. All that remains is his two loyal servants, a horse, an elephant, and the crumbling palace. His inability to adapt with changing times has made him into a recluse. He has closed the music room for good. The sound of music from the neighbor s house and a wise to demonstrate his fine taste in music to his flashy neighbor leads him to organize one last concert. The music room is opened once again. After all the guests have left, a drunk Roy remembers the past glory. He proudly introduces portraits of his ancestors to his servant. He notices a big spider on his own portrait. As the candles go out one by one, Roy is convinced that he too must depart with the extinguishing of the last candle. It is almost dawn now so he need not worry about the candles. In a grand gesture, he mounts his horse and rides at a terrible pace to be violently thrown off. Roy dies as two servants look on tearfully.
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Aarohan|
2011
Aarohan
2011 | 116 min
The patriarch, Suryashekhar Chattopadhyay is a deeply religious person and a man of firm principles. He treats the predictions of the horoscope like axiomatic truth, realizing little that such predictions can often be misleading. His obduracy distances him from his only son, Alok, who refuses to put up with his father's unbending attitude to the horoscope. Alok marries outside his caste, denounces his horoscope, and leaves home to settle abroad with his wife. Suryashekhar's wife; an accomplished and educated lady, is reduced to being a mute witness to all this and never protests against her husband's whims and harsh decisions. She bears everything with quiet, resigned dignity. Their grandson, Arijit comes to stay with them through a strange turn of events, and they are overjoyed. But, by then, Suryashekhar has decided that he will die in Benaras to rid himself of the eternal cycle of rebirth. He decides to check in at Moksha Bhavan, a house where people come to die. There Arijit meets Kasturi, a Bihari woman, whose mother-in-law awaits death. Her husband, Shyam cannot father a child, but blames her and abuses her which she refuses to accept. Kasturi takes it up as a challenge to prove that she is capable of carrying a child and as a result gets involved with Arijit. But by another turn of events, Arijit decides to marry Kasturi once he comes to know that he has sired the child she has conceived. As Arijit's parents come to Benaras and come to know of their relationship, they refuse to accept their son's decision. While confronting Arijit, Alok has a massive heart attack and dies. Suryashekhar is shattered. As the embers of their son's pyre die out, Suryashekhar's wife confronts him and questions, for the first time, his unbending faith and the truthfulness of the predictions of the horoscope. Suryashekhar realizes how wrong he has been all through his life.
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