The son of Zamindar Narayan Mukherjee, Devdas was born with a silver spoon in his mouth. He grew up in the lush village of Taj Sonapur, where he spent his childhood, indulged by his lovely playmate Paro. They grew up sharing a special relationship, in which they existed only to each other. Oblivious of all the differences of status and background, a bond that would never break grew between them. Slowly, it changed to love but it was still unsaid. But the reverie was broken when his family sent Devdas to Calcutta for education. Paro's world crashed knowing that her Devdas would be gone and she lit a diya, for it signified the fast coming back of her loved one. Years passed and Devdas returned. Devdas was besotted by her stunning beauty and longed to have her back. But Zamindar Narayan Mukherjee, Devdas' father, met Paro's mother Sumitra's marriage proposal with condescending arrogance. It caused a rift between the families and even though Devdas tried to convince his father, the only antagonism came his way. Will he be able to move away from Paro and his life? more»

Raikamal narrates the story of Rai Kamal, a devotee of Lord Krishna. Rai Kamal and Ranjan are childhood sweethearts. When Ranjan grows up he wishes his desire to marry Rai but his parents are against this match as they are Brahmins and Rai Kamal was a low caste Vaishnav. Ranjan's father requests Kamini, Rai' mother to convince Rai to sever the relationship. Rai's mother leaves the village with Rai. Rashik Das, a minstrel accompanies them to Nabadweep. After Rai's mother's death she is forced to marry Rashik despite their huge age gap to stop the people from gossiping about them. But, they are never able to share a normal relationship of a couple. Rashik leaves Rai and goes away as he knows that Rai can love only Ranjan. Rai gets to know that Ranjan had left the village with Pori and converted into a Vaishnav. Circumstances again bring Rai and Ranjan together. Ranjan takes her to his house. Ranjan tells her that he had been waiting for her all the while and proposes to marry her. An ailing Pori also requests Rai to marry Ranjan but Rai leaves his house and takes to the streets once again. Rashik keeps following her like her shadow to shield her from everything without her knowledge. more»

A tragic story depicting and highlighting the disastrous destiny of the ethnic, eternal Indian woman 'Kangkabotir Ghat' is about the banks of river Ganga in the village of Atashi from where Sati Kangkabati, the great wife of Mr. Mukherji an artist, committed suicide in an eternal ritual fashion to save her ailing and dying husband. The legend here emphasises that if the wife sacrifices her life in the waters of Ganga, then the husband would revive. After Kangka bati commits suicide, the eccentric Mr. Mukherjee turns mad out of shock and grief and leaves the village with their infant daughter Uma who is latter abducted by the shrewd escort Chameli. Uma grous up under Chameli's parentage, under the name of Sheela, while all the years the insane Mukherjee goes searching for Uma, not realizing that his daughter is in front of his very own eyes. Sheela alias Uma fall in love with Pradip but abandons ? has when a misunderstanding consciously created by Chameli arises. Later a pregnant Uma leaves Chameli and starts residing separately with Mr. Mukherjee which ? Pradip marries for the second time. His second wife is Mrinaal. Co-incidentally Pradip, Mrinal, the rest are also from the same village of Atashi and thus respect Kangkabati's sacrifice immensely. Pradip and Uma meet after 7 long years through Pradip-Uma's enstranged son. Pradip is shocked to see Uma's poverty & his own son doing hawkery in the lanes of Kolkata. After returning to Atashi, he falls severely sick and ultimately marches towards death. Meanwhile in Kolkata, amidst all formalist. The real truth is revealed by Nandua, an ally of Chameli and Mr. Mukherjee and Uma realizes that they are the father daughter in reality. The father daughter duo gets the news about Pradip's sickness. Uma runs to save the life of her husband who is now somebody else's husband. She meets her rival Mrinaal with almost compassion, keeps her son at her refuge and follows the same path of her mother Kangkabati to save the life of her long lost love. In the end Uma commits suicide in the waters of Ganga with a lamp on her head. The frustrated father Mukherji wails in vain and the couple - Mrinal Pradip unite with Uma's son as their legitimate and only heir. more»

Tapas Singha is an aspiring singer and the son of a reputed businessman. His stepmother gives him a bad name and throws him out of his house to inherit all the property of her husband. Mina s story is also very similar. Her stepmother tortures her a lot and ruins her career. She is compelled to move out of her own house. They both decide to commit suicide and go to the riverbank. Where they meet and the cupid strikes. Together they decide to give life one more tries; on the other hand, we get to see another couple Lalu and Leela. Leela is a cousin of Tapas and Lalu, the goon with a heart of gold is a neighbour of Mina. Lalu and Leela were married in the childhood, but they were separated due to unfortunate circumstances. Tapas and Mina in search of a living starts to work for a millionaire and his wife respectively. But problem arises again as the employer thinks that Tapas is having an affair with his wife and fires him. Mina breaks down and starts to search for Tapas as he goes missing. Finally, during the climax Mina and Tapas get reunited and so does Lalu and Leela, and the audience gets to see a happy ending. more»

Marutirtha Hinglaj is a 1969 Indian Bengali film, directed by Bikash Roy and Bikash Roy. The film star Uttam Kumar, Sabitri Chatterjee, Pahari Sanyal, Chandrabati Devi, Bikash Roy, Sandhya Devi, Asha Devi & Anil Chatterjee in lead roles. The music of the film was composed by Hemanta Mukherjee. more»