
Overview
Sant Gyaneshwar is a 1981 Indian Hindi film, directed by S.N. Tripathi and produced by S.V. Iyer. The film stars Usha Solanki, Bharat Bhushan and Rakesh Pandey in lead roles. Music of the film was composed by Nandu Honap.
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1995
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Mahendra Prasad lives a very wealthy lifestyle along with his daughter, Kiran, in a palatial house. He is very religious and superstitious and consults his astrologer, Pandit Din Dayal Shastri, on all major issues. When Kiran informs him that she and wealthy Randhir Mehra is in love with each other, he consults Din Dayal, who predicts that the alliance is unsuitable. Mahendra convinces Kiran to get married to wealthy Ravi Kapoor, which she does. On the day of the marriage, Randhir attempts to speak with Kiran, but is prevented, a scuffle ensues, police arrive, and Randhir ends up shooting a police inspector, as a result he is arrested, tried in court, and sentenced to two years in jail. Kiran gives birth to a baby boy, Sunny, who grows up and falls in love with Madhu Sodhi. When they approach her dad, Rajiv, for getting the two married, Rajiv initially refuses but changes his mind when he sees Mahendra's photograph. Watch as events unfold as prediction upon prediction of Din Dayal come true - and the one which everyone dreads the most - the death of Sunny at the hands of his biological father.
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Himmatvar|
1996
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1996
After spending ten years in prison, Sultan Bhai (Dharmendra) once an uncrowned king of Bombay is released from the jail and starts living peaceful life in the hearts of Basti people. Damodar Kangley alias D.K. (Mohan Joshi) who was a right hand man of Sultan, is now become the terror of the town. He has taken over Sultan's place D.K. wants to get the same Basti vacated where Sultan lives. Thus a big tussel starts between them.In the meantime Rajeshwar Singh (Mukesh Khanna) an old friend of Sultan is transferred to Bombay as an A.C.P. (A.T.S.) to control the fast increasing criminal activities in the city. Rajeshwar's brother Jai (Hitesh) is doing his police training in Nasik Police Academy. His beloved Anjali (Rubaina Khan) is daughter of D.C.P. Shrikant. To remove Sultan form his way, D.K. entangles him in a murder case. Sultan is arrested. Rajeswhar Singh arrests Munna, younger brother of D.K. on doubt and encounters him. D.K. goes mad. In retaliation he kills Rajeshwar's wife and daughter and shoots at his leg to make him handicapped. Jai, for whom the world became meaningless, sets foot in Bombay. He joins D.K.'s gang hiding his real identity, in order to take revenge of this Bhabi and niece. Sultan also escapes from jail and he too vows to destroy D.K's world. At a juncture D.K. gets to know the real identity of Jai. And Jai runs for his life. D.K. and his gangsters are out to kill him and his wife.
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Anhonee|
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Lucknow-based impoverished advocate, Rajkumar Saxena, complains to his landlord about the deplorable condition of his apartment but is instead told by the latter's daughter, Roop, to pay his outstanding rent for over 6 months or face legal action. He approaches her father, Harnam Singh, who not only lets him live there for free, but also befriends him, and invites him to Roop's birthday party. Roop gets impressed when he sings there and invites him for dinner along with her father. Before he could attend, he is asked to represent a courtesan client, Mohini, who is facing eviction by her landlord. He finds her resemblance to Roop quite unusual and mentions this during their dinner. This news apparently shocks Harnam, who gets hospitalized and subsequently passes away. Will Mohini retain him to sur Roop?
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Suhana Safar|
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Sapna (Sharmila Tagore), flying back to India from the USA is involved in an airplane engine "flameout". She loves poetry, in particular the work of a poet called Ujjwala. Unable to distinguish between the poet and the poetry, she sets out on a journey to meet the poet in a place called Phulwari. Sapna believes that Ujjwala is her dream man. Her wealthy father, worried by her distraction consults a psychiatrist who pronounces that Sapna needs treatment and must be sent to his clinic for an extended period of time. Running away from home, in a beautiful red MG TF (probably a 1954 model) she comes across Sunil (Shashi Kapoor) working on his Jeep (one of the early right-hand drive versions that Mahindras produced). A couple of accidents later they find themselves in a luxurious Mercedes Benz tour coach (possibly an O 321 H - with a rear engine) and their journey of exploration begins. Faced with obstacles, raised by greedy people who want to get the informant's reward announced by Sapna's father Randhir Singh Chauhan; and going through some comic as well as dangerous interludes the screen couple arrive at the climax on their way to Phulwari. Sunil is doing his best to escort Sapna to Phulwari. How Sapna reconciles her love for Ujjwala, who she has only met through his poetry and Sunil's unreciprocated love for her makes for an interesting denouement.
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Teri Payal Mera Geet|
1993
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1993
Story is about love story of Premi Govinda and Lailajaan (Meenakshi Sheshadri). Premi loved Lailajaan and one day he finds out that she works at a brothel. Later Premi finds out that Lailajaan was an ordinary dancer and he tries to win her back.He kisses and she slaps him . He then abducts her and they fall in love.
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Resham Ki Dori|
1974
Resham Ki Dori
1974
Ajit and Rajoo become orphans. Ajit, as the older brother takes care of his younger sister, at great personal sacrifice. When he tries to save his sister from sexual assault, death occurs. Is Ajit responsible? He emerges as Vinod from jail. In English the loose translation of the title would be "a silken thread" a compact translation would be a "silken skein". Ajit, and his little sister are separated by powers that neither he or she understand. Resham ki dori - is the thread that brings them back together. This is a story of three generations of arrogance of wealth. It is also a story of great wealth, dishonest managers, anger, arrogance in semi- feudal India. In a social context, it is a story of the death of the textile industry in Parel, Lower Parel in Bombay. It is a story of the exploitation of labour. Some scenes of labour poverty is gut wrenching. It is a vision of a person who could reverse the process of attrition in the textile industry, if only till the textile mill was set on fire for insurance. It is a great movie to watch, if you are looking out for the social context. Dialogues are predictable, mostly studio shot, editing is a bit loose but overall, a slightly differently managed film than the usual movies of the time. 1980's. Excellent storyline, and some superb acting.
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Subtitles:English