The story begins with Mangalasherry Neelakantan's (Mohanlal) son Karthikeyan (Mohanlal), as he ventures out to make money which ultimately makes him a liquor baron. The relationship between Neelakantan and Karthikeyan deteriorates, as the father does not approve of his son's money-making methods. Mundakkal Shekharan (Napoleon) comes into the picture again after spending a term in prison for killing one of Neelakantan's friends. He decides to finish the Mangalasherry family by confiscating the house which was kept as collateral for Bhanumathi's (Revathy) treatment. Bhanumathi passes away and Karthikeyan is now bent on taking revenge.\nNeelakantan loses his home and Karthikeyan ventures out in an attempt to reclaim his ancestral home. In the meantime, Karthikeyan abducts Shekharan's daughter Janaki (Vasundhara Das) in an attempt to blackmail him (Shekharan), during which they fall in love with each other. The remainder of the movie is about how Karthikeyan manages to get his ancestral home back while Shekharan's nephew Mundakkal Rajendran (Vijayaraghavan) makes attempts to kill Karthikeyan, but instead kills Neelakantan by lighting him on fire and gets killed by Neelakantan after a knife throw which decapitates Rajendran. Karthikeyan, now infuriated, goes to kill Shekaran by burning him. But Warrier stops him and brings him back. Karthikeyan becomes the head of his home and the IPS officer gives Janaki back to him. more»

Prema Sakshiga is a 2001 Indian Telugu film directed by Sri V. Jyothi Kumar and produced by A Satyanarayana. The film stars Vijay, Swetha, Anjali, Sraavan, Chandra Mohan, Balayya and Ranganath in the lead roles. The music of the film was composed by Banti Maruthi. more»

A journalist is shot to death at the doorstep of Shanti, also a journalist, who swears to bring the culprit Vishtar Nath to book. She subsequently files a report at the local police station following which her house is searched and drugs are found. She is arrested but later released after an honest police inspector Vikram Singh, learns that the drugs were planted in her house by a police constable. One night Shanti is molested but is saved in the nick of time by a young man Shankar. Shankar comes across evidence that may implicate Vishtar, and he takes it to Assistant Commissioner of Police Rathod. What Shankar does not know is that that he has opened up a Pandoras Box that will endanger his life, as well as the life of his girlfriend, Vikram and Shanti. more»

The movie starts in a train where the leads Eswar and Gomathi happen to meet. There she loses the ornament she had worn, which is found by Eswar and Bala (small time thieves) who decide to give it back to her. Thus, starts the laugh riot, where Gomathi's family assumes Eswar to be her lover and he plays along as he and Bala plans to steal them and run off. The fake love turns to true love. more»

Iravin Madiyil is a 2016 Indian Tamil film directed by V Bashkar and produced by V.S.Baskaran. The fim stars Vijay Adithiya, Nisha, Saravanan and Asha in the lead roles. more»

Ottesi Cheputunna is a 2003 Indian Telugu film directed by E. Satti Babu and produced by K. Anil Kumar. The film stars Sreekanth, Sivaji, Sunil and Sravanthi in the lead roles. Music of the film was composed by Ramani Vidya Sagar. more»

Suriyan Chandiran is a 1993 Indian Tamil film, directed by K. S. Ravikumar and Produced by S. Sivagami. The film Saravanan, Anand Babu, Keerthana, Vinodhini, K. S. Ravikumar and R. Sundarrajan in lead roles. The music of the film was composed by Deva. more»

Jai Santoshi Mata is a 1975 Telugu Devotional film, directed by Mullapudi Surya Chandra and produced by Tirupathi Rao. The film stars Ashok Kumar, Sana, Ragini and Sravani Phani in lead roles. The film had musical score by Mullapudi Surya Chandra. more»

Parvathi Ennai Paradi is a 1993 Indian Tamil film, directed by V. Sekhar and produced by K. R. Gangadharan. The film stars Saravanan, Sri Parvathi, Vijayakumar and Srividya in lead roles. The film had musical score by Ilaiyaraaja. more»

Savithrikkutty, eldest daughter of an aged poor Nambuthiri Brahmin is married off to an aged widower (a priest) of the same caste. The new family where she is received comprises two other members, Appu (the man s son who is just a boy) and Amminiyamma. Amminiyamma s son is working in a distant place. Until Savithri s arrival she was the sole helper of the widower. The age disparity between the man and Savithri causes their sexual life to be without colors. The man soon engages himself in temple matters and the woman, finding no better way to kill her time plays with the man s kid and does her chores without charm. One day a young man named Aravindan comes to his ancestral house in the village. On his way he meets aged people who stare at him as if they never have seen a young man lately. His uncle, Kizhakkethil Raman Menon receives him cordially who reminisces his (Menon s) valiant efforts at a time when his elders would frown upon education, to send his sister, Aravindan s mother, to her studies in the city. However we come to know that city culture has destroyed her soft sides and that she now lives an unorganized life of an addict to intoxicants. Meanwhile, Appu, the boy-child of the priest, easily makes friends with his new wife Savithri. Appu s strange behaviors and restlessness, though he is just a boy compels us to wonder if he really is the priest s son. Amminiyamma s comments regarding the boy s behavior, though not seriously strengthens the doubt. Strong child-mother affection develops between Appu and his stepmother Savithri. On some day, at a ritual performance, Aravindan and Savithri encounters each other for the first time. Aravindan, basically of a wandering nature does nothing significant after his arrival to the village. He then meets Savithri and their relationship develops sooner as the two can easily associate with one another s sorry lives. Aravindan, who was not cared well by his mother and as somebody who earlier had many unfulfilled and failed relationships with other women was looking for somebody who could actually understand and resonate his feelings. He then realizes Savithri to be exactly the kind of person he should have met. Gradually their romantic dreams develop without anyone suspecting them. The priest who is now completely engrossed in his temple rituals does not suspect her in any way until one day when he catches her with him in an amorous act. As a cheated husband (though he does never even think that his marring a girl enough to become his daughter a sin) he thinks it is his dharma (now that the girl (Savithri) sinned), as taught by his guru to send her back to her home. He sends her back. Savithri s father who was also the priest s teacher strives really hard after her arrival. He finds it very difficult to feed and take care of his daughters and his senile father. Meanwhile, Amminiyamma decides to reconcile the two and arrives at Savithri s house to request her father to ask the priest to receive Savithri back. The man is stubborn and makes it clear that he will not request his student (the priest) to do that. However Savithri herself returns promising she will not make the mistake again. Nevertheless, thoughts of Aravindan s care and love start tormenting her one way or other. During the temple festival when every member of the family is off to the temple she decides to stay in the house, not wanting the people to gossip about her and the family. Holding the music box gifted by Aravindan, memories of the sweet days visit her. Unexpectedly Aravindan arrives there and the two embrace each other on the background of the sound and play of the temple fireworks. The two stare at the fireworks happy but confused and anxious about their future. more»