Super Nova 459 is a 1994 Indian Kannada film, directed by Sundar Krishna Urs and produced by Shakunthala. The film stars Master Deepak, Master Mahaveer, Baby Keerthi, Ramakrishna, Srilalitha in lead roles. The film has musical score by Vijaya Bhaskar. more»

Seth Jamna Das's (Raj Mehra) only college-going daughter Sapna (Rakhee) is involved with poor Shyam (Manoj Kumar). Failing to persuade her, and prevail upon her to marry DIG Gopal Das's (Prem Nath) only son, Deepak (Prem Chopra) he agrees to marry off the lovers. But on the night of marriage Shyam is not only accused of a safe break but also death of Kamini (Snehlata), and forced to join the criminals in a spate of robberies after one of which there is a showdown between him and the rest, and he manages to escape and lands in a town where he saves a young girl, Meena (Nazima) from a group of hooligans, who then forces him to come to her house for first aid treatment. Meena is the daughter of an honest cop, Constable Ram Singh (Pran) who instantly adopts him (now called Mohan) as his son. Notwithstanding continuity jerks; now all actions (murders, rapes, gold smuggling) and characters find themselves in the same town. And the lecherous Deepak in partnership with Jamna Das is the kingpin of all unlawful activities even though DIG Gopal Das is honesty personified. In the swiftly changing scenario, the old lovers get reunited, songs and dances in flashback follow, Shyam/Mohan finds out Kamini is alive, after some fisticuffs he is arrested, Ram Singh gets promoted as Sub-Inspector, but in a chase to prevent Deepak/Jamna Das's consignment with gold he falls prey to the former's bullet. DIG Gopal Das gets him cremated with full honors, vowing to get the culprit booked. Jamna Das agrees to marry off Sapna to Deepak to consolidate his nefarious activities but Shyam/Mohan spoils the party leading to a showdown between the partners. Not only that, he also convinces the DIG about his son's doing, how he had been hoodwinked into the aiding them, and brings him to the scene of action where the party is in a confessional mode. And in an attempt to escape, Deepak even fires at his father. more»

Sant Gyaneshwar is a 1981 Indian Hindi film, directed by S.N. Tripathi and produced by S.V. Iyer. The film stars Usha Solanki, Bharat Bhushan and Rakesh Pandey in lead roles. Music of the film was composed by Nandu Honap. more»

What happens when members of a seemingly happy family find out deep, dark secrets about each other? Will it bring them closer or tear them apart? more»

Mehak - talented artist, victim of assault and agoraphobic - feels she's possessed when she has visions in her new house. more»

Jasmine (Navya) and Karthik (Mohan), a scrap dealer, fall in love with each other. However, Jasmine s family is against the relationship. The girl sends a message to Karthik to meet her at a bus stop at night. But Karthik doesn t find her at the meeting point. He is caught by a policeman, who happens to be a relative of Jasmine. Meanwhile, Jasmine is raped by five persons and dies. But her spirit comes back to haunt the culprits, who seek the help of a tantric (Avinash) to get rid of the ghost. But the tantric informs police about the murder and the rapists are arrested. more»

A romantic comedy and drama about two strangers - one stranger than the other. Two people can happen to meet anywhere. But Akash and Kiara met in an unusual situation of distress, unable to part ways thereafter as fate would have it. Thus, begins a series of hilarious misadventures as they embark on a fun but morbid journey with each other. Life, however, interrupts and painful choices must be made. The duo part ways with an understanding that their days together were a brief interlude of insanity that had to succumb to real life. But can a cloaked love so strange between two strangers conquer the idiom of normalcy we all believe in? Is it worth another chance? Is it worth leaving behind all that is familiar? Follow Akash and Kiara along this hilarious, contemporary yet poignant journey of stumbling into all that is worth living for. more»

Savithrikkutty, eldest daughter of an aged poor Nambuthiri Brahmin is married off to an aged widower (a priest) of the same caste. The new family where she is received comprises two other members, Appu (the man s son who is just a boy) and Amminiyamma. Amminiyamma s son is working in a distant place. Until Savithri s arrival she was the sole helper of the widower. The age disparity between the man and Savithri causes their sexual life to be without colors. The man soon engages himself in temple matters and the woman, finding no better way to kill her time plays with the man s kid and does her chores without charm. One day a young man named Aravindan comes to his ancestral house in the village. On his way he meets aged people who stare at him as if they never have seen a young man lately. His uncle, Kizhakkethil Raman Menon receives him cordially who reminisces his (Menon s) valiant efforts at a time when his elders would frown upon education, to send his sister, Aravindan s mother, to her studies in the city. However we come to know that city culture has destroyed her soft sides and that she now lives an unorganized life of an addict to intoxicants. Meanwhile, Appu, the boy-child of the priest, easily makes friends with his new wife Savithri. Appu s strange behaviors and restlessness, though he is just a boy compels us to wonder if he really is the priest s son. Amminiyamma s comments regarding the boy s behavior, though not seriously strengthens the doubt. Strong child-mother affection develops between Appu and his stepmother Savithri. On some day, at a ritual performance, Aravindan and Savithri encounters each other for the first time. Aravindan, basically of a wandering nature does nothing significant after his arrival to the village. He then meets Savithri and their relationship develops sooner as the two can easily associate with one another s sorry lives. Aravindan, who was not cared well by his mother and as somebody who earlier had many unfulfilled and failed relationships with other women was looking for somebody who could actually understand and resonate his feelings. He then realizes Savithri to be exactly the kind of person he should have met. Gradually their romantic dreams develop without anyone suspecting them. The priest who is now completely engrossed in his temple rituals does not suspect her in any way until one day when he catches her with him in an amorous act. As a cheated husband (though he does never even think that his marring a girl enough to become his daughter a sin) he thinks it is his dharma (now that the girl (Savithri) sinned), as taught by his guru to send her back to her home. He sends her back. Savithri s father who was also the priest s teacher strives really hard after her arrival. He finds it very difficult to feed and take care of his daughters and his senile father. Meanwhile, Amminiyamma decides to reconcile the two and arrives at Savithri s house to request her father to ask the priest to receive Savithri back. The man is stubborn and makes it clear that he will not request his student (the priest) to do that. However Savithri herself returns promising she will not make the mistake again. Nevertheless, thoughts of Aravindan s care and love start tormenting her one way or other. During the temple festival when every member of the family is off to the temple she decides to stay in the house, not wanting the people to gossip about her and the family. Holding the music box gifted by Aravindan, memories of the sweet days visit her. Unexpectedly Aravindan arrives there and the two embrace each other on the background of the sound and play of the temple fireworks. The two stare at the fireworks happy but confused and anxious about their future. more»

The only son who she had great expectations from isolates her the moment he lands a job in a foreign country. The 2 youngest daughters try to run away from the responsibility too. The eldest daughter (Madhu) a woman of substance, and self made, takes a stand against the wishes of her husband and daughter takes the responsibility of tending for her. During her stay with her daughter Maireminisces her good old days of sorrow and happiness in flashes, as she switches in and out of her insanity. As time progresses Mai's Alzheimer attacks goes from bad to worst. Slowly and steadily she starts reliving her past moments in the present situation. The family life of her daughter is in shambles due to the prevailing tension with her husband (Subhash). And at the same time she has the moral responsibility of caring for her sick mother. Madhu balances her disgruntled family and work pressure. The support of her seniors and staff at the workplace helps her to manage her life until; one day the progressing condition of her mother forces her to quit her job. And the relation between Mai and her son-in-law takes a miraculous turn which changes his life forever. more»

Ghanta Chori Ho Gaya is a 2017 Indian Hindi film, directed by Nirbhay Chaudhary and produced by Vikram Gurjar. The film stars Kunal Jaiswal, Chhaya Soni, Raghavendra Tiwari and Shahbaz Khan in lead roles. The film has musical score by Anand Singh & Nidhi Tiwari. more»

Lady Boss is a 2012 Indian Kannada film, directed by Sharan Kumar Kabbur and Produced by F Mukthar Ujjaini and K Prakash. The film stars Ayesha, Thriller Manju, Rohith, Supreetha, Sadhu Kokila, Bullet Prakash and Sharan Kabbur in lead roles. The music of the film was composed by G Abhiman Roy. more»

A 12-year-old is compelled to run away from his house after he s unable to deal with the constant fights between his parents. Will he return? more»

Sai Bhakthi Kshudra Shakthi is a 1995 Indian Telugu film directed by B. Venkata Krishna and produced by Gandikota Sreeramulu and Kaduri Ramesh Babu. The film stars Srinivasa Varma, Sagarika and Ujjwala in the lead roles. more»

This is a story of Anwar (Nawazuddin Siddiqui), a clumsy private detective who often gets stuck in hilariously troublesome situations because of his habit of getting involved in the personal lives of his cases. While his life is about following people, he is still in search of himself, and he finally gets a chance to face a tragedy in his past when he lands a case to find Amol (Pankaj Tripathi). more»

Nee Bareda Kadambari is a 1985 Indian Kannada movie directed by Dwarakish and produced by Dwarakish. The film stars Vishnuvardhan, Bhavya, C R Simha and Sundarraj in lead roles. Music of the film was composed by Vijayanand. more»

Preethisi Nodu is a 1981 Indian Kannada movie directed by Geethapriya and produced by M K Balaji Singh, N Sukumar. The film stars Vishnuvardhan, Aarathia and Srinivasamurthy in lead roles. Music of the film was composed by Hamsalekha. more»

Raja Rajeswari is a 1979 Indian Tamil film, directed by N. Sambandam and Produced by Cinimaalaya. The film stars R.Muthuraman, Sujatha, Srikanth, Aparna, Surulirajan and Sachu in lead roles. The music of the film was composed by Shankar Ganesh. more»

Preeti is looking for her soulmate. But all the men she meets can only see her body. No one can see her soul. more»

Here's a family of three Balu, his mother, and grandmother. They survive on his grandfather's pension of rupees eight hundred a month. Once Balu starts going to school, the expenses increase and unfortunately, the grandmother falls ill. Find out how this family struggles to survive against all odds. more»

The murder of a medical college girl morphed into a suicide takes Dr. Shiv (father of the girl) on a journey to dig the truth out of his daughter s murder. With the help of a corrupt police officer, Yusuf. He comes across that it is not a normal murder case, there is a scam going on behind this where students are being killed to hide the truth from the world. Dr. Shiv comes across that his daughter was also one of the conspirators of the Scam. Will he expose the scam to the world along with his daughter? Or will he hide the facts from the world? Will it be a life-changing case for Yusuf to make money from Dr. Shiv in return for his help? more»