Seth Jamna Das's (Raj Mehra) only college-going daughter Sapna (Rakhee) is involved with poor Shyam (Manoj Kumar). Failing to persuade her, and prevail upon her to marry DIG Gopal Das's (Prem Nath) only son, Deepak (Prem Chopra) he agrees to marry off the lovers. But on the night of marriage Shyam is not only accused of a safe break but also death of Kamini (Snehlata), and forced to join the criminals in a spate of robberies after one of which there is a showdown between him and the rest, and he manages to escape and lands in a town where he saves a young girl, Meena (Nazima) from a group of hooligans, who then forces him to come to her house for first aid treatment. Meena is the daughter of an honest cop, Constable Ram Singh (Pran) who instantly adopts him (now called Mohan) as his son. Notwithstanding continuity jerks; now all actions (murders, rapes, gold smuggling) and characters find themselves in the same town. And the lecherous Deepak in partnership with Jamna Das is the kingpin of all unlawful activities even though DIG Gopal Das is honesty personified. In the swiftly changing scenario, the old lovers get reunited, songs and dances in flashback follow, Shyam/Mohan finds out Kamini is alive, after some fisticuffs he is arrested, Ram Singh gets promoted as Sub-Inspector, but in a chase to prevent Deepak/Jamna Das's consignment with gold he falls prey to the former's bullet. DIG Gopal Das gets him cremated with full honors, vowing to get the culprit booked. Jamna Das agrees to marry off Sapna to Deepak to consolidate his nefarious activities but Shyam/Mohan spoils the party leading to a showdown between the partners. Not only that, he also convinces the DIG about his son's doing, how he had been hoodwinked into the aiding them, and brings him to the scene of action where the party is in a confessional mode. And in an attempt to escape, Deepak even fires at his father. more»

Pyaar Mein Aisa Hota Hai is a 2013 Indian Hindi film, directed by Rajeesh Kumar and produced by Rajeesh Kumar & Afsar Khan. The film stars Mohd Nazim, Rohit Rajawat, Aanamika Bawa in lead roles. The film had musical score by Shabab Azmi. more»

Vijay (Aasad MIrza) is a young boy who is molested by a prostitute when he is forcibly taken to the red-light area by his school friends. He escapes from there but the molestation leaves him so traumatized that he develops fear and his affects his interaction with girls. His father (Aditya Raj Kapoor) meets a bold and beautiful girl, Sarah Jones (Nazia Hussain), who tells him that she can erase the trauma from his son's life. The father promises to pay her the hefty fee she demands. Sarah Jones now enters Vijay's life and, slowly but surely, she makes him comfortable in the company of a girl something which wasn't the case because of Vijay's traumatic past. What's more, as Vijay and Sarah Jones keep meeting more often, she with a desire to fulfill her contract with Vijay's father, the two youngsters end up falling in love with one another. Once Sarah Jones has completed her part of the contract, Vijay's father pays her off. What happens then? Does the father accept the fact that his son and Sarah are in love? Does he ever know this fact? Does he get Sarah and his married? Or does Sarah walk out of Vijay's life? In short, do the lovers ever meet or never meet? If they do meet, how do they meet? And if they do not meet, why do they not meet? more»

The film starts with a clash between the offering of the routine morning prayers of the Muslim cleric and his neighboring Hindu priest. The Muslim cleric is vexed with the Hindu priest but is more bothered about his son, who is a good friend of his and pays regular visits to the temple. He scolds and punishes Janu several times and warned him that he may be cursed to hell if he continues this. The cleric loses his temper when he comes to know that his son has participated in the annual Hindu mythological play, Ramleela, and played the role of the Hindu God Hanuman. He gets upset, punishes his son and explains to him the difference between the two religions. At the end of the story, petrified with an incident, Janu absconds from his home. His father searches for him everywhere and during this painful search for his lost son, he realizes that he is first a father to his son before being a cleric. Now he is anxious to meet him, but will he be able to find him ever? more»