While Gandhi was hailed as the father of the nation, his son Harilal always resented the fact that for him, he was like a father who never was. But rather than forgiving his father, Harilal chooses to tread the path that is completely against his idealistic father's principles. A frustrated Harilal Gandhi goes haywire in a bid to embrace success. He cheats people of their hard-earned money by using his father's pious name. He doesn't bay an eyelid before visiting brothels and converting to Islam. His wife disowns him and, in the end, even his doting mother asks him to leave her house when he comes drunk to meet his parents. more»

First love in anyone's life holds a special place especially if the memory is filled with the vibrant musings of the city that you grew up in. Benaras holds a special place in Kundan's heart, because not only did he grow up as a typical, god fearing, shiv bhakt-Pandit but also because it was the city that gave him Zoya. Quiet and beautiful with mischievous eyes, Zoya was the girl of his dreams. She was like a breath of fresh air to him who he would follow every day to the bazaar and back to her house till one day, he mustered the courage to speak to her and tell her his true feelings - his 13 year old heart, smitten by her simplicity. She doesn't take him seriously and brushes him off. Time passed by and Zoya moved to Delhi to study further. Love, they say, is a feeling that only grows stronger with time and Kundan's love for Zoya never diminished. He carries his feelings all through college and his heart flippes when Zoya came back to his town. With Zoya back in Benaras, Kundan's world was filled with excitement as he was thinking of finally telling her how he felt. However, it instead shatters when Zoya tells him her true feelings. His heart breaks and the rage that Kundan feels is inexplicable. What follows is a tale of love, betrayal, redemption and healing set against the very rooted town of Benaras and the upbeat political environment of Delhi. more»

The story starts with the joining of a new English Teacher Rahul Prakash Udyavar (Shahid Kapoor) in Swaraswati Vidya Mandir school, situated in the outskirts of Mumbai Suburbs. Though he creates an instant rapport with students and teachers alike, he realizes that there is something amiss in this school. Slowly his doubts come true as the manager of the school, Sharma (Saurabh Shukla), makes many monetary obligations compulsory for the parents in the name of extracurricular activities. He goes to the extent of punishing the students inhumanly when the new and unjustified demands of the school are not met by the parents. Day by day the stress levels among the students increase. The situation becomes so explosive that it eventually turns into a national issue. Paathshala tries to answer many questions that are related to the sanctity of today's education system. The high morals and basic ethics of the teachings have taken a back seat. Making more profit than ever has become a new mantra of education institutions. The film is neither afraid of telling the truth of wrong doings by the greedy educational institutes on the face nor does it spare them from exposing the use of unethical media activities for the children who are yet not ready for it. more»

Six young couples in different situations, face different quandaries. All their problems are apparently caused by love, too much, too little, love for the wrong people, love for people who don't want it, unrequited love, amnesia-afflicted love and what have you. Each of the 6 stories is moderately developed, the most believable being the Hindu-Muslim couple - the Ashutosh-Tehzeeb story. Then there is the starlet hungry to make it big, hatching up a publicity stunt which backfires - the Kkamini-Rahul deal. The third pair is that of Stephanie-Raju pair, she searching for her faithless Indian boyfriend and the Indian taxi-driver who ferries her around the country. And then there is the Shiven-Gia yuppie marriage fiasco, with the groom with the cold-feet. The fifth story is of the stable married couple - Vinay-Seema, whose 15 year marriage is threatened when the husband wants more than just boring, suburban life. The sixth couple's story is of Isha-Sohail as a rural couple unable to give vent to their passion. The film runs through these six stories almost in parallel, taking us to their respective conclusions. more»

Dastan is a 1950 Indian Hindi film, directed and produced by Abdul Rashid Kardar. The film stars Suraiya, Raj Kapoor and Veena in lead roles. Music of the film was composed by Naushad. more»

Dilip saves Neeta when her horse veers off control. A friendship develops between the two and when her father passes away she makes him a partner in the family business that she inherits. Very soon Dilip falls in love with her. However, it turns out that Neeta is in love with and engaged to Rajan. She marries him once he returns from abroad. When Dilip declares his love for her on her wedding night, she tells him that she has always looked upon him as a friend and nothing more. Rajan soon begins to suspect Neeta of infidelity. Things come to a head as there is a violent clash between the two men, where one of them gets shot by Neeta and is tried for his murder. more»

The story starts with the joining of a new English Teacher Rahul Prakash Udyavar (Shahid Kapoor) in Swaraswati Vidya Mandir school, situated in the outskirts of Mumbai Suburbs. Though he creates an instant rapport with students and teachers alike, he realizes that there is something amiss in this school. Slowly his doubts come true as the manager of the school, Sharma (Saurabh Shukla), makes many monetary obligations compulsory for the parents in the name of extracurricular activities. He goes to the extent of punishing the students inhumanly when the new and unjustified demands of the school are not met by the parents. Day by day the stress levels among the students increase. The situation becomes so explosive that it eventually turns into a national issue. Paathshala tries to answer many questions that are related to the sanctity of today's education system. The high morals and basic ethics of the teachings have taken a back seat. Making more profit than ever has become a new mantra of education institutions. The film is neither afraid of telling the truth of wrong doings by the greedy educational institutes on the face nor does it spare them from exposing the use of unethical media activities for the children who are yet not ready for it. more»

The story starts with the joining of a new English Teacher Rahul Prakash Udyavar (Shahid Kapoor) in Swaraswati Vidya Mandir school, situated in the outskirts of Mumbai Suburbs. Though he creates an instant rapport with students and teachers alike, he realizes that there is something amiss in this school. Slowly his doubts come true as the manager of the school, Sharma (Saurabh Shukla), makes many monetary obligations compulsory for the parents in the name of extracurricular activities. He goes to the extent of punishing the students inhumanly when the new and unjustified demands of the school are not met by the parents. Day by day the stress levels among the students increase. The situation becomes so explosive that it eventually turns into a national issue. Paathshala tries to answer many questions that are related to the sanctity of today's education system. The high morals and basic ethics of the teachings have taken a back seat. Making more profit than ever has become a new mantra of education institutions. The film is neither afraid of telling the truth of wrong doings by the greedy educational institutes on the face nor does it spare them from exposing the use of unethical media activities for the children who are yet not ready for it. more»

Story is about love story of Premi Govinda and Lailajaan (Meenakshi Sheshadri). Premi loved Lailajaan and one day he finds out that she works at a brothel. Later Premi finds out that Lailajaan was an ordinary dancer and he tries to win her back.He kisses and she slaps him . He then abducts her and they fall in love. more»

First love in anyone's life holds a special place especially if the memory is filled with the vibrant musings of the city that you grew up in. Benaras holds a special place in Kundan's heart, because not only did he grow up as a typical, god fearing, shiv bhakt-Pandit but also because it was the city that gave him Zoya. Quiet and beautiful with mischievous eyes, Zoya was the girl of his dreams. She was like a breath of fresh air to him who he would follow every day to the bazaar and back to her house till one day, he mustered the courage to speak to her and tell her his true feelings - his 13 year old heart, smitten by her simplicity. She doesn't take him seriously and brushes him off. Time passed by and Zoya moved to Delhi to study further. Love, they say, is a feeling that only grows stronger with time and Kundan's love for Zoya never diminished. He carries his feelings all through college and his heart flippes when Zoya came back to his town. With Zoya back in Benaras, Kundan's world was filled with excitement as he was thinking of finally telling her how he felt. However, it instead shatters when Zoya tells him her true feelings. His heart breaks and the rage that Kundan feels is inexplicable. What follows is a tale of love, betrayal, redemption and healing set against the very rooted town of Benaras and the upbeat political environment of Delhi. more»

Six young couples in different situations, face different quandaries. All their problems are apparently caused by love, too much, too little, love for the wrong people, love for people who don't want it, unrequited love, amnesia-afflicted love and what have you. Each of the 6 stories is moderately developed, the most believable being the Hindu-Muslim couple - the Ashutosh-Tehzeeb story. Then there is the starlet hungry to make it big, hatching up a publicity stunt which backfires - the Kkamini-Rahul deal. The third pair is that of Stephanie-Raju pair, she searching for her faithless Indian boyfriend and the Indian taxi-driver who ferries her around the country. And then there is the Shiven-Gia yuppie marriage fiasco, with the groom with the cold-feet. The fifth story is of the stable married couple - Vinay-Seema, whose 15 year marriage is threatened when the husband wants more than just boring, suburban life. The sixth couple's story is of Isha-Sohail as a rural couple unable to give vent to their passion. The film runs through these six stories almost in parallel, taking us to their respective conclusions. more»

Six young couples in different situations, face different quandaries. All their problems are apparently caused by love, too much, too little, love for the wrong people, love for people who don't want it, unrequited love, amnesia-afflicted love and what have you. Each of the 6 stories is moderately developed, the most believable being the Hindu-Muslim couple - the Ashutosh-Tehzeeb story. Then there is the starlet hungry to make it big, hatching up a publicity stunt which backfires - the Kkamini-Rahul deal. The third pair is that of Stephanie-Raju pair, she searching for her faithless Indian boyfriend and the Indian taxi-driver who ferries her around the country. And then there is the Shiven-Gia yuppie marriage fiasco, with the groom with the cold-feet. The fifth story is of the stable married couple - Vinay-Seema, whose 15 year marriage is threatened when the husband wants more than just boring, suburban life. The sixth couple's story is of Isha-Sohail as a rural couple unable to give vent to their passion. The film runs through these six stories almost in parallel, taking us to their respective conclusions. more»