Omkara or Omi is a gifted chieftain who heads a gang of outlaws, which include the crafty Langda Tyagi and the dynamic Kesu amongst his chief cohorts. When Omi appoints Kesu and not Langda as his chief lieutenant, Langda's pride is slighted. Raging with envy, he hatches a plot to falsely implicate Omi's beautiful fiancee Dolly, in an illicit affair with Omi's favourite lieutenant, Kesu. Using petty insinuations and lies, Langda keeps poisoning Omi's mind till one day he snaps and goes amok, tearing up his secure world, leading up to a horrific tragedy at the end of which Omi realizes the backlash of his actions... but is it too late? more»

Two stressed-out Mumbaikars Krish and his wife Meera decide to drive to Goa to find and locate the great Indian Butterfly which is rumored to possess magical powers, granting immense happiness to the person who catches it. The journey becomes a journey of self-discovery as Meera addresses her work-related stress, loss of promotion, lack of intimacy in her marriage and an on-going affair with an ex-girlfriend. more»

The film is set in a slum in Ernakulam and focusses on a group of slum dwellers who are usually ignored in the ambitious blueprints of city developers. The protagonist of the film, Chakrapani (Sreenivasan), is a disabled beggar and also a small-time moneylender who lives in the slum. A drunkard, he spends most of the time quarrelling with his mother. He has an eye on Latha (Geethu Mohandas) who lives nearby with her two children, Siva and Malli, though she detests him. Latha, an asthmatic, works as a maid and dreams of a better future for her children. Another woman Vasanthi (Seema G. Nair) too lives in the slum with her two children and a drunkard of a husband (Manikandan) who is of no use to anybody and who keeps causing endless trouble to her and her children. Finally, desperation forces Chakrapani and Latha to unite and raise their voice in protest again the ignorance towards their slum. Chakrapani ends up as their leader. The story reaches its climax when the government takes steps to get rid of the slum in order to go on with developmental activities and the slum-dwellers find that they have nowhere to go. A JCB arrives on the scene and the local people protest as a union with Chakrapani in the forefront. But their pleas fall on deaf ears. more»

Sindhu, a teenage girl with strong sexual feelings and a desire to know more about it, meets a man with whom she falls in love. However, things become worse for her. more»

Bandhanam is a 1978 Indian Tamil film, directed by MT Vasudevan Nair and produced by V.B.K. Menon. The film stars Shobha, Sukumaran, Sankaradi and Shubha in lead roles. The film had musical score by MB Sreenivasan. more»

"K G George uses the cinema within cinema technique for this film. With hints to the real life incident of suicide of popular actress Shobha, Lekhayude Maranam:Oru Flashback became controversial even before its release. A poor Malayalee family reaches Madras to try luck for their daughter Shantamma in the film industry. She slowly starts climbing the ladder of success and become a popular actress Lekha. At the peak of her career she commits suicide by hanging herself. The film recounts events that lead her to suicide, including a stint as a prostitute succumbing to the pressure from her parents for the lust of quick money and her unsuccessful love affair with a director" more»

Irakal is a 1985 Indian Malayalam film, directed by K. G. George and Produced by Sukumaran. The flim stars Ganesh Kumar,Thilakan,Sukumaran,Ashokan & Radha in lead roles.The music of the film was composed by M. B. Sreenivasan. more»

Akkare is a 1984 Indian Malayalam Flim , directed by & produced by K. N. Sasidharan.The flim star Nedumudi Venu,Bharath Gopi,Madhavi,Mammootty & Mohanlal in lead roles.The music of the film was composed by M. B. Sreenivasan. more»

Nimishangal is a 1986 Indian Malayalam film directed by Radhakrishnan and produced by Anjeril Films. The film stars Mohanlal, Shankar, Jagathy Sreekumar, and Captain Raju in the lead roles. Music of the film was composed by MB Sreenivasan. more»

Savithrikkutty, eldest daughter of an aged poor Nambuthiri Brahmin is married off to an aged widower (a priest) of the same caste. The new family where she is received comprises two other members, Appu (the man s son who is just a boy) and Amminiyamma. Amminiyamma s son is working in a distant place. Until Savithri s arrival she was the sole helper of the widower. The age disparity between the man and Savithri causes their sexual life to be without colors. The man soon engages himself in temple matters and the woman, finding no better way to kill her time plays with the man s kid and does her chores without charm. One day a young man named Aravindan comes to his ancestral house in the village. On his way he meets aged people who stare at him as if they never have seen a young man lately. His uncle, Kizhakkethil Raman Menon receives him cordially who reminisces his (Menon s) valiant efforts at a time when his elders would frown upon education, to send his sister, Aravindan s mother, to her studies in the city. However we come to know that city culture has destroyed her soft sides and that she now lives an unorganized life of an addict to intoxicants. Meanwhile, Appu, the boy-child of the priest, easily makes friends with his new wife Savithri. Appu s strange behaviors and restlessness, though he is just a boy compels us to wonder if he really is the priest s son. Amminiyamma s comments regarding the boy s behavior, though not seriously strengthens the doubt. Strong child-mother affection develops between Appu and his stepmother Savithri. On some day, at a ritual performance, Aravindan and Savithri encounters each other for the first time. Aravindan, basically of a wandering nature does nothing significant after his arrival to the village. He then meets Savithri and their relationship develops sooner as the two can easily associate with one another s sorry lives. Aravindan, who was not cared well by his mother and as somebody who earlier had many unfulfilled and failed relationships with other women was looking for somebody who could actually understand and resonate his feelings. He then realizes Savithri to be exactly the kind of person he should have met. Gradually their romantic dreams develop without anyone suspecting them. The priest who is now completely engrossed in his temple rituals does not suspect her in any way until one day when he catches her with him in an amorous act. As a cheated husband (though he does never even think that his marring a girl enough to become his daughter a sin) he thinks it is his dharma (now that the girl (Savithri) sinned), as taught by his guru to send her back to her home. He sends her back. Savithri s father who was also the priest s teacher strives really hard after her arrival. He finds it very difficult to feed and take care of his daughters and his senile father. Meanwhile, Amminiyamma decides to reconcile the two and arrives at Savithri s house to request her father to ask the priest to receive Savithri back. The man is stubborn and makes it clear that he will not request his student (the priest) to do that. However Savithri herself returns promising she will not make the mistake again. Nevertheless, thoughts of Aravindan s care and love start tormenting her one way or other. During the temple festival when every member of the family is off to the temple she decides to stay in the house, not wanting the people to gossip about her and the family. Holding the music box gifted by Aravindan, memories of the sweet days visit her. Unexpectedly Aravindan arrives there and the two embrace each other on the background of the sound and play of the temple fireworks. The two stare at the fireworks happy but confused and anxious about their future. more»

The film is the story of Rugma (Seema) and her struggle to bring up her daughter (Menaka) after the death of her husband Mammootty. more»

Kaimal and Susheela are leading a troubled married life. Susheela, a mother of two children, indulges in a physical relation with a car mechanic named Giri. On an unfortunate day, she elopes with Giri to start a new life. After the incident, Kaimal is harassed by many of his friends and colleagues. Balan, a friend of Kaimal, helps him to get a relief. Balan tries to bring back Susheela, who was still having an unsatisfied life with Giri, to Kaimal's life. He arranges a meeting between Susheela and Kaimal in a beach. But, they found Kaimal dead after being stabbed by himself with a knife. K.G George finely portrays the human psychological trauma in this film." more»

Ayanam is a 1985 Indian Malayalam film, directed by Harikumar and produced by Sivan Kunnampilly. The film stars Madhu, Srividya, Mammootty and Innocent in lead roles. The film had musical score by MB Sreenivasan. . more»

Bezubaan, as the name suggests, is the story of a woman (Reena Roy) who suffers silently; society and family pressures effectively stifling any protest she might have voiced. In the process, she gets blackmailed by an unscruplous photographer who has pictures of her and her lover (Raj Kiran) taken before her marriage. Reena's husband (Shashi Kapoor) is a trusting, humane person who loves his wife very much and can't understand why she needs as much money as she does. But the truth is eventually revealed and even the meek turn violent under pressure when emotions suppressed become uncontrollable. What will Reena do? more»

Varun and Varsha, despite living in the same building start off their relationship over social media platforms and never really meet in person. In the comfort of their social media accounts and screens, everything is going great for them until they land up on the same road trip together which sets them off course! What happens to their relationship? more»

Kishen a small village boy, finds himself with his stepsister Kadambini after his widowed mother's death. Kadambini takes her brother's responsibility with the intention of possessing his small village properties. Her husband, Nobin, accepts this arrangement and turns a blind eye to the ill-treatment that Kishen suffers. Kishen now has to stand up for his equal place amongst his family. more»

Teddy, Bunty and Sandy find the perfect formula to be rich, and that is by marrying a wealthy businessman's daughters - Ganga, Jamuna and Saraswati. Needless to say, they find their path strewn with hilarious hurdles and a father who has his own secret agenda. Now, how the three men succeed in pulling off this feat is what leads to a series of Housefull and rib-tickling comical misadventures! more»

Three men, Teddy (Ritiesh Deshmukh), Bunty (Abhishek Bachchan) and Sandy (Akshay Kumar) find a perfect formula to be rich that is by marrying a wealthy businessman's daughters - Ganga (Jacqueline Fernandez), Jamuna (Lisa Haydon) and Saraswati (Nargis Fakhri). Needless to say, they find their path strewn with hilarious hurdles and a father who has his own secret agenda. Now, how the three men succeed in pulling off this feat is what leads to a series of Housefull and rib-tickling comical misadventures! more»

Three men, Teddy (Ritiesh Deshmukh), Bunty (Abhishek Bachchan) and Sandy (Akshay Kumar) find a perfect formula to be rich that is by marrying a wealthy businessman's daughters - Ganga (Jacqueline Fernandez), Jamuna (Lisa Haydon) and Saraswati (Nargis Fakhri). Needless to say, they find their path strewn with hilarious hurdles and a father who has his own secret agenda. Now, how the three men succeed in pulling off this feat is what leads to a series of Housefull and rib-tickling comical misadventures! more»

When Devender lands up in ICU, his siblings - Jeetendra, Ravindar and Lalita, rush down to Mumbai along with their families. But each one travels with a different motive, for some, it's about fulfilling their Bollywood dreams and for some, it's about enjoying the Vegas-like nightlife of Mumbai. The comedy is about how a family is supposed to be supportive during such times, but deep inside everyone is troubled and frustrated. more»