The film starts with a clash between the offering of the routine morning prayers of the Muslim cleric and his neighboring Hindu priest. The Muslim cleric is vexed with the Hindu priest but is more bothered about his son, who is a good friend of his and pays regular visits to the temple. He scolds and punishes Janu several times and warned him that he may be cursed to hell if he continues this. The cleric loses his temper when he comes to know that his son has participated in the annual Hindu mythological play, Ramleela, and played the role of the Hindu God Hanuman. He gets upset, punishes his son and explains to him the difference between the two religions. At the end of the story, petrified with an incident, Janu absconds from his home. His father searches for him everywhere and during this painful search for his lost son, he realizes that he is first a father to his son before being a cleric. Now he is anxious to meet him, but will he be able to find him ever? more»

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One of the classic love stories ever written, Heer Ranjha continues to be a dearly loved part of the collective and individual memory of millions across the world even after almost 300 years. Transcending boundaries of language and culture, its appeal has endured the test of time. Such is the reverence and affection that this story has earned from the people that it is no longer a story but has become a metaphor, a symbol of pure and eternal love. This film is an interpretation of the attempt to capture on celluloid the eternity of this metaphor. more»

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Mallammana Pavada is a 1969 Indian Kannada film, directed by S R Puttanna Kanagal and produced by P L Ramanathan. The film stars Dr Rajkumar, B Sarojadevi, Sampath & Balakrishna in the lead roles. The film had musical score by Vijaya Bhaskar. more»

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