Learned Hindu Priest, Mahant is tricked by notorious bandit Bhairo Singh. Bhairo Singh gets Zoravar Singh to abduct Mahant so that he reveals the treasure buried inside the temple. more»

Gauri lives in a small village along with her father and a younger brother. She notices a stranger lurking around her house, who subsequently introduces himself as Ranjeet. Gauri and Rajneet become friends and soon both fall in love with each other. Ranjeet starts working for the Government, which is in the process of building a dam where Gauri also works. What Gauri doesn't know is that Ranjeet wants to retrieve the suitcase of gold that he had buried in Gauri's front yard years ago; the very same gold that he was caught smuggling five years ago. more»

After the passing of her parents, Mumbai-based Neelam lives a poor lifestyle with her ailing maternal uncle, and is employed as a Typist with Suryakant Ahuja, who wants her for himself. When she refuses, he hires a pimp, Lallan, to coerce her, initially to no avail, but subsequently financial worries, to pay for medicines for her uncle and hospitalized boyfriend, Vikram Malhotra (whose friends gang-raped her), compel her to accept money and become a call-girl. Vikram recovers and relocates to live in London along with his mother, while her uncle passes away. Alone and destitute she is rescued by some slum dwellers and starts to live in a concrete pipe, making a living as a prostitute. She catches the eye of local gangster and extortionist, Anha, and agrees to be his mistress if he stops collecting Haftas from the community. Anha does agree but another extortionist, Dhanna, moves in on this vacated territory. A confrontation ensues and Anha is killed. The Police arrest Neelam for possession of narcotics and a lawyer, Sagar Saxena, impressed by her honesty and literacy, comes to her rescue, and gets her acquitted. She moves in with him and both fall in love with each other. He proposes marriage to her despite of her background, and she accepts. On the day of the marriage she comes across a newspaper article - and it is this article that will separate her from Sagar, and change her life forever. more»

Gopal (Manoj Kumar) Seema (Sharmila Tagore) are childhood lovers who get separated due to wealth and powerplay. After several years of staying away from each other, Gopal and Seema meet again and re-kindle their emotions for each other. Will they be able to revive their childhood love? Watch this classic Bollywood romance to know more. more»

Abused by an oppressive brother-in-law Gajendra (Pran), Ramchandra (Dilip Kumar) runs away from home, and ends up in a small village where he is mistaken for Shyamrao (also Dilip Kumar), and must accept Ganga (Leela Mishra) and his new name or face severe exorcism. Meanwhile, Shyamrao is mistaken for Ramchandra by Anjana (Waheeda Rehman) and her dad (Nazir Hussain). When Gajendra finds out, he is enraged and attempts to beat the stuffing out of the person he thinks is his brother-in-law, but Shyamrao refuses to be abused or beaten, and all of a sudden things start changing in the household as well as in the community. It is not long before Gajendra finds out about the truth, and plans an ugly death for Shyamrao, and all those opposed to him. more»

Takkari Donga Chakkani Chukka is a 2005 Indian Tamil film, directed by Praveen Kanth and produced by M. Murali, S. Nagaraju, L. Sudhakar. The film stars Prashanth and Jyothika in lead roles. The film had musical score by A. R. Rahman. more»

Love makes a young man go against his parents wishes, after they refuse to accept the woman he wants to marry. more»

Two friends accidentally enter the valley of death where more than adventure awaits them! more»

After sending a man to the gallows, the King makes an extraordinary request to his widow in this classic drama. more»

The story features a number of innovative themes while maintaining the basic form of a love story. It has particularly strong female characters who are independent-minded and choose their own loves and destiny. Conflicts are not so much between the wishes of the parents and children about whom the children will marry, as is a common theme in Indian movies, but on the more complex level of conflicts among the main characters and the duplicitous signals men and women send each other. The movie glorifies the lives of "singing girls" not often regarded highly in Indian society. Although it is set with Muslim characters, the movie seamlessly shows the universality of sensual love. more»